Identified with ovarian cancer cells, iron-willed reporter Sheng Nan (“Go Beyond Guy” in Chinese) is pressed to make a fast lot of money as well as discover wonderful sex prior to the expensive surgical procedure numbs her detects. Tackling a business owner’s bio creating work, she treks right into the hazy hills, where a chain of outbursts with her useless household, bad-tempered customer, misogynistic associate as well as dreamlike enchanting passion happily unravel. As deeply relocating as it is luminously amusing, writer-director Teng Congcong’s launching waltzes throughout the anger ingested by her generation of ladies birthed under China’s One Youngster Plan, unprecedentedly strained to “go beyond guys” while attempting not to be “remaining ladies” at the exact same time. Admiring the 18th-century Chinese literary works traditional Desire for the Red Chamber in its title, the captivating treasure revitalizes the story’s transcendent reflection on wish, fatality as well as femininity from a modern-day motion picture viewpoint.