Following John’s absent father is struck with a stray bullet, Primo takes it upon himself to reevaluate the youthful boy from these code of the roads —just one based on respect and maintained by fear. An associate of the Bloods considering that age twelve—both at the film as well as the truth is —that the streets of Brooklyn are Primo has known. While John questions if to come this lifetime, Primo has to decide whether to make it as he attempts to become a husband and daddy. Place throughout those ny summertime at which the stifling heat appears to encase every thing, Five Star plunges into group culture with searing intensity. Director Keith Miller finds the lifestyles of both these two men having a silent yet pointed space, closely eschewing worn clichés by its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, letting the narrative of both of these guys to fend beyond the roads, while they face the wonder of exactly what this means to become a guy.